Because of the title, I went into this a little leery. And the first few pages didn’t help. It starts with a man creeping through a house holding a knife. “The knife had done almost everything it was brought to the house to do, and both the blade and the handle were wet…The hunt was almost over. He had left the woman in her bed, the man on the bedroom floor, the older child in her brightly colored bedroom, surrounded by toys and half-finished models. That left only the little one, a baby barely a toddler, to take care of. One more and his task would be done.”
Pretty horrible, isn’t it? It’s creepy and disturbing, and I wondered how many parents and teachers refused to read it to children based on the first three or four pages. I had doubts about letting my own kids read it, but I pressed on, knowing this book won the Newbery in 2009. There had to be something to that, didn’t there?
Yup, there’s something to that all right.
The killer does not find the baby. The child, a climber, has crawled out of his crib, bumped his way downstairs, and, finding the door open, toddles off into the night. He ends up at a graveyard, and the dead, seeing what is about to happen to the pursued child, intervene. Then they name the child Nobody (Bod for short) and decide to raise him as their own.
Yes, it takes a graveyard to raise a child. There are ghosts, ghouls, hellhounds, night-gaunts, a barrow, a witch, and a vampire in this book, and that, too, might be off-putting to adults, yet I assure you they’re pretty innocent. These creatures are not evil as we think of them. (Well, the ghouls are nasty, but they’re chased away.) There are no occultic themes. These are simply Bod’s neighbors, and a very original neighborhood it is.
The dead of an English graveyard actually give Mr. Gaiman a wealth of material to work with. The neighbors come from all time periods, use all manner of old speech, dress in period-appropriate clothing, and even teach Bod all they know of the world, which is kind of funny, because they have no idea about cell phones and such. In fact, Bod gets an old-fashioned lesson about “Elements and Humours” at one point. And two ghosts from totally different time periods have begun “stepping out together.” (“The couple seemed to have no troubles with the differences in their historical periods.”) Mr. Gaiman’s humor, a bit macabre though it might be, gives plenty of winks all the way through. I actually enjoyed this book a good deal.
Since the first scene of the book is pretty awful, and since it does involve the dead, parents might want to preview The Graveyard Book on their own, but I found it pretty harmless. I’d give it a 12+ age rating. The shocking first three pages are definitely the worst moment in the book. The overall message is actually quite positive, however. You see, Bod comes of age in the graveyard. He grows, he matures, he changes. The dead stay exactly the same. And it is they who encourage him to live before he joins them.
“Do you know what you’re going to do now?” his dead mother asks Bod at the end of the book.
“See the world,” said Bod. “Get into trouble. Get out of trouble again. Visit jungles and volcanoes and deserts and islands. And people. I want to meet an awful lot of people.”
And she sings him this song:
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